Anna V2 / VA + FM hybrid synthesizer
Build a voice.
Make it move.
Anna begins with four oscillator voices, each with a carrier and modulator of its own. They can behave like a direct, hands-on virtual analogue bank—or become an intermodulated network where one oscillator’s shape, phase and level push another into entirely different territory.
Its waveforms are not just a selector: phase-feedback generation lets sine and triangle forms grow into richer, saw-like material, while paired shapes introduce controllable pulse-width-style movement. From there, an FM matrix and sixteen audio-rate modulation routes make the signal path a place to compose, rather than simply automate.
OSCILLATOR BANK→INTERMODULATION→DUAL FILTERS→FLEXIBLE FX
IN DEVELOPMENTVirtual analogue instincts. FM possibilities.Four carrier/modulator voices · phase-feedback waveforms
16 audio-rate matrix routes · dual filters · configurable effects order
01 / OSCILLATOR BANKFour voices.
Many identities.
Each carrier/modulator pair can stay clean and immediate, or take on phase feedback, noise, self-shaping and intermodulation. The result can move from solid virtual analogue weight to complex FM colour without leaving the same instrument.
02 / MODULATIONPatch the
signal path.
Sixteen audio-rate routes reach oscillator pitch, phase and level, filter cutoff and resonance, FM depths and more. Multi-stage looping envelopes, LFOs and oscillator-derived sources turn control signals into part of the sound itself.
03 / MOTION + SPACEWrite the
movement in.
The tracker-inspired arpeggiator is naturally polyphonic: turn a held chord into a multi-voice pattern, with note order, octave and velocity on every step. Switch to Mono for one-note lines, then use Legato and Glide to connect its steps. Dual filters, two delays, crush, EQ and selectable effects routing decide where that motion accumulates—and where it breaks apart.